Posted by David H. Lawrence XVII on Sep 2, 2010
There are a couple of strong reasons to signing production contracts with SAG and/or AFTRA, one of which has to do with being a multi-hyphenate actor/producer, and the other to do with turning non-union and non-jurisdictional work into union work. Here’s how to do it, and why you should consider it.
The advent of YouTube and other online video sites has spawned a whole new industry in...
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Posted by David H. Lawrence XVII on Sep 1, 2010
You’ve made the decision to move to Los Angeles and pursue acting as a career, with your goal being a life filled with paid acting work, union theatrical acting work for networks and studios, and union commercial acting work. But what do you do first, the moment you get here, to provide a strong, solid base that will support you in your first efforts at success? Here’s the first few...
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Posted by David H. Lawrence XVII on Aug 31, 2010
Your director has any number of choices of how to shoot a particular scene, and one of them is to shoot an actor “dirty,” or with the shoulder, arm or leg of another actor visible in the show. Why they’d choose to do that can be for any number of reasons.
The angle at which your scenes are shot can be from any direction: head on, from the side, even from above, and each of...
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Posted by David H. Lawrence XVII on Aug 30, 2010
A drive on pass allows you as an actor, visiting a studio for an audition or for paid acting work, to drive onto the lot and park in the lot, the garage or next to the building or bungalow you’re headed for. Here’s how you get one.
When a casting director calls you to audition for a part, you’re given not only sides, a breakdown and contact information, but also, especially...
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Posted by David H. Lawrence XVII on Aug 29, 2010
There are more than one pertinent definitions for the word “boom” when used in the world of acting. One is a sound person’s pole on which he hangs his mic over the heads of the actors, and the other is a movable platform on which the camera sits.
The word “boom” has a couple of important meanings to actors, and the usages come from two different departments, sound...
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Posted by David H. Lawrence XVII on Aug 28, 2010
Q: How do I fire an agent or manager?
Finding the right representation in the form of a strong, smart agent and/or manager can be difficult enough – but when faced with having to move on, some actors are paralyzed by the fear of retribution, damage to their reputation and being left without any representation at all. Just be professional and succinct, and execute your legal responsibilities...
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Posted by David H. Lawrence XVII on Aug 27, 2010
Q: How do I get paid acting jobs?
Paid acting jobs are the Holy Grail of your acting career. With preparation, persistence and skill, you can follow several different, and eventually effective, avenues to getting paid acting jobs.
Acting is unlike most careers in that, as our friend Kevin E. West of The Actors’ Network often says, you can simply declare yourself a professional actor...
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Posted by David H. Lawrence XVII on Aug 26, 2010
Q: David, do you remember me?
Once we finally get through the acting audition process, the call backs, the pinning and on to an actual acting job itself, it sometimes feels like we’ve achieved a life long goal. We have to remember that the process starts all over again, sometimes before the current booking is over.
Every so often, I get a piece of email that makes me smile – happy...
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Posted by David H. Lawrence XVII on Aug 25, 2010
Q: Should I send gifts to casting directors?
After an audition, or a booking, it’s a nice gesture to send a note or small gift to a casting director. It’s not required, nor would you be remembered and graded down should you forget – but if you feel strongly about it, feel free to do so.
It’s challenging enough for most of us to get an audition, let alone book an actual...
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Posted by David H. Lawrence XVII on Aug 23, 2010
Q: What does “plus 10″ mean?
The standard for an agent’s commission is 10%, paid out of the gross wages you get paid as an actor. If the production company happens to be willing to pay your agent’s fee in addition to your rate, that’s called “plus 10.”
Although the labor laws in all major production centers’ states clearly mandate that an...
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