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Do I pay my agent a commission on residuals?
Answer: When you get paid acting work, your agent gets paid for the work you do that day. But what happens when you work on a project that is covered by union rules and starts to generate residuals? Generally your agent gets paid on all of your residuals – but who actually pays your agent, you or the production company, is the real question to be answered… (continued in David’s answer below)
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Answer: When you get paid acting work, your agent gets paid for the work you do that day. But what happens when you work on a project that is covered by union rules and starts to generate residuals? Generally your agent gets paid on all of your residuals – but who actually pays your agent, you or the production company, is the real question to be answered, and, as usual, it depends.
Getting a residual check in the mail is usually like Christmas morning – it’s often unexpected, often larger than expected, and it can absolutely make your day (and mortgage or rent). Your agent works very hard for you to get you those jobs – not only for the 70 or 80 dollars he gets when you get booked for a day’s scale work, but for the future payments that that work may generate.
Residuals are paid to you, and commission is paid to your agent. But, there are rules set forth by the various performance unions that determine who actually pays that commission, and on what the commission is paid. Sometimes, it’s up to you to write that 10% check (an absolute joy for me to do, and it gives me a reason to go visit him or grab a quick bite and talk career strategy). Sometimes, it’s up to the production company of the TV show, film or commercial you were in to write that check.
The following list is not exhaustive, and usually refers to SAG as opposed to AFTRA – you should always check with your union if you are confused about something, but your agent will also know the rules.
Here are all the gory details:
If the work was for primetime broadcast TV and the work was in Los Angeles, Chicago, Detroit, Atlanta, Washington D.C. or Hawaii, commission is payable on all prime time reruns if your employment contract is overscale (at least scale + 10%). If you worked for scale and you paid your agent commission out of your pocket, than you pay no commission on residuals.
If the primetime broadcast TV work was shot anywhere else (including New York), and your worked for scale, commission is payable for the first and second reruns. If you worked overscale (at least scale + 10%), commission is payable on every rerun.
For non-primetime broadcast TV and syndicated reruns with work shot in Los Angeles, Chicago, Detroit, Atlanta, Washington D.C. or Hawaii, commission is payable only if your employment contract is overscale (at least scale + 10%). Again, if you worked for scale and you paid your agent commission out of your pocket, than you pay no commission on residuals.
Likewise, for non-primetime TV work and syndicated reruns for projects shot anywhere else (including New York), if you worked for scale, commission is payable for the first and second reruns. If you worked overscale (at least scale + 10%), commission is payable on every rerun.
For foreign exhibition of your work, no matter where it was shot, commission is payable only if your employment contract is overscale (at least scale + 10%). If you worked for scale and you paid your agent commission out of your pocket, than you pay no commission on foreign residuals.
If the work was for a theatrically released SAG film, and the work was in Los Angeles, Chicago, Detroit, Atlanta, Washington D.C. or Hawaii, commission is payable only if your employment contract provides for overscale residual payment.
If your theatrically released SAG film was shot anywhere else (including New York), then all of your residuals are commissionable no matter what your contract says.
For basic cable shows, or shows released to supplemental markets (including pay TV, the internet, video on demand, videocassettes or DVDs) shot in Los Angeles, Chicago, Detroit, Atlanta, Washington D.C. or Hawaii, commission is payable only if your employment contract provides for overscale residual payment.
If your basic cable show/supplemental market release as noted above was shot anywhere else (including New York), then all of your residuals are commissionable tto your agent.
And finally, for commercials, no matter where they are shot, if they are kept on the air and reused for a long period of time, the first 21 months (the first 7 of the 13 week broadcast cycles) of your residuals are commissionable to your agent.
There are a number of things other than residuals that your agent is commissioned on – and there’s an ActingAnswers.com article about those other items here. There’s also a list in that article of what you get that your agent isn’t commissionable on. But when it comes to residuals, it’s time to share the joy with the most important member of your sales team – your agent.
What’s your answer to this acting question? Let me know in the comments below.
i have a follow-up question, if you don’t mind. if i leave my agent and go to a new agent, do i still owe my old agent his 10% when i get residuals from projects i booked while with him? thanks!
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LikeDislikeYes. Forever. They helped you get the work, and you are continuing to make money on it – so do they.
David
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LikeDislikeSo for residuals that say “syndication”, if we got scale + 10% for the show, those residuals are commissionable to the agent, yes?
The residuals themselves never include 10% – so, no.
David
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LikeDislikeBut what if your agent did NOT get you the audition for the commercial you booked? Why would my agent get commission for work he did not do?
That’s the whole point of this article. Your agent is your sales person. Whether he got you the audition or not doesn’t matter. What matters is that you’re both active in getting you work, and you get 90-100% of the pay, and he gets 10%.
Just because you got the audition doesn’t mean he won’t be dealing with scheduling, messaging you and the casting office about pre-reads, call backs, pins, producer sessions etc and them negotiating the original deal plus any subsequent deals. Getting you auditions is only part of what he does for you. If you disagree with that, I’d like to suggest you reconsider. And again, that’s the whole point.
I send my agent info on auditions I get for myself all the time, and he deals with it from there. And for that, I gladly pay him 10%. My advice remains that you do the same.
David
Hi David:
okay, I did voiceover for a cartoon network special that ran all weekend and then went to DVD. I just got a Residual check (about 3 years later). It came directly to me. Do I give my agent 10% off the top. I don’t believe any commission was negotiated regarding residuals…although it was union and they got commission added initially, there is no notation of commission added to this residual check.
Thank you.
You don’t have to, but what a great way to have a conversation, and reconnect. And a lovely surprise for your agent as well. Why not share the spoils?
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LikeDislikeI disagree with the information in this thread. Of course your agent would love to receive a commission on all monies received by you, however residuals are not something negotiated by your manager or agent, they have been negotiated by SAG-AFTRA through extensive contract negotiations and are often how actors survive in between acting jobs. I have never paid residual commissions to any of my representatives over the last 15 years.
You’re free to do whatever you think is best. The SAG-AFTRA rules hardly prohibit paying commissions on residuals, any more than they prohibit holiday gifts. I’m happy. You’re happy. Awesome.
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LikeDislikeI agree , I’ve been working 20+ years and I have never commissioned my agent for my residuals, however I did just sign with a new agency and I signed papers that had to do with getting them residuals for work they book me on … the reason I’m searching this subject is because one of my shows is paying me a residual check, it also says mailed on the sag aftra app but I don’t see the money in my direct deposit so I’m assuming they somehow got ahold of the check … yes agents work hard and should be paid for the days I work and I assure you it’s more than 70 or 80 dollars and I’m able to save all my residual checks in a separate account… this is a pretty big check so I’m assuming they somehow got ahold of it … so by the time I pay taxes sometimes in two different states pay my manager 10% and my agent 10% I’m left with just about nothing … it’s just under a 1/3 of what I make and on occasion have been worse… I hope I’m wrong and the check just hasn’t hit the account yet but I have a feeling they do have the check… also thanks to the new tax laws I can’t even use my manager or my agent as a tax right off.. this is unbelievable if that’s not a tax right off I don’t know what is!!
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LikeDislikeHow would I know if I’m suppose to pay my agent/manager for my residuals check that’s coming? The show aired on TBS and was shot in LA.
Thank you
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LikeDislikeThat depends upon your union status and your agreement with your agent/manager. The article is very clear about what you include in monies that are due agents’ commissions and what isn’t.
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LikeDislikeI was asked to sign a contract with my new aget. The contract clearly states that the agency gets my compensation checks directly sent to the office. The contract also states that “I authorize this Agency as attorney in fact
for all payment authorization, endorsement authorization
and contractual signatures on any and all bookings secured.
By signing you are in agreement to all terms and conditions set forth above”. I am reluctant to let the agent act as an attorney on my behalf with no previous Law Education. Is this typical for a talent agent contract and am I being too paranoid?
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LikeDislikeThis is completely normal and standard. You’re only looking at the word “attorney,” and the pertinent phrase is “attorney in fact.” Your agent isn’t being authorized to do any legal work for you, just to deposit any check that comes to him/her for work you do into a holding account, then sending you your proceeds after he/she takes 10%:
‘Attorney In Fact:’ A person who is authorized to perform business-related transactions on behalf of someone else (the principal). In order to become someone’s attorney in fact, a person must have the principal sign a power of attorney document.
Hope this helps.
This makes sense. Thank you for clearing it up.
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LikeDislikeMy kids are represented but I self submitted us for a family audition. My husband was the only one booked for a national commercial. I informed my kids agent and she said to use her as a main contact. My husband doesn’t have a contract with the agency and I was the one who submitted for the role. Does he have to pay commission to the agent even though he has no contract with them?
He has no legal obligation, but the existence of a contract doesn’t determine the proper thing to do. If the agent dealt with the producers, got the contracts in order, made sure you knew the shoot and wardrobe dates, or did anything else to help your husband make that money, I would commission her. Why wouldn’t you? It’s 10 percent – you get 90. Encourage her with this – generate good will with this – don’t cheap out on this just because you can.
HI CAN A TALENT MANAGER TAKE 155 COMMISSION ON WORK HE GOT FOR HIS ACTOR?
What is standard for the majority of people with Managers ? Are you also expected to pay them 10% of your residual ?
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LikeDislikeI’m an actress. And recently I booked a gig with my husband (who’s not an actor). This is a project we submitted on our own, without the agency’s help. Does the agency get a commission from him even though he’s not represented by the agency? Can you shed some light on this please? Thank you!
It depends on what your contract reads as to whether you are required to, but by now, you know I’m keenly in favor of commissioning them on it anyway.
I was just offered an exclusive contract with a commercial agent in Los Angeles. According to the contract between me (the artist) and the talent agency, it says they are entitled to commission from all contracts requiring my professional services. My question is in regards to previous contracts still being fulfilled. I am currently contracted to a company to work as their in house VO talent. I receive a check weekly by filling out a time card, and they treat me as staff (meaning I do not re-negotiate regularly “permalance” is the nickname they have) so I am curious if I am required to 1. disclose this contract to the potential agent and 2. begin providing said agent with a commission from all future payments.
You don’t have to tell them about it, but I would. And you don’t have to commission them on it, but I would going forward. I would to this AFTER they sign you, not before. You already have the offer.
Negotiation a contract with a manager and in the contract it states that if the contract were to end, he/she gets commissions on residuals FOREVER…i have researched this and many lawyers recommend a “sunset clause” that puts a cap on how long the manager can get commission on residuals after contract termination…SO – i requested to insert this “sunset clause” and put a 5 year cap on how long after contract termination she can receive commission and she rejected it…thoughts?
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LikeDislikeI’d be surprised if those are experienced entertainment attorneys giving you that advice. They may want it in there, but it’s not common at all. The key is that representation are due commissions forever only on work you acquired while represented by them. That’s a big distinction.
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LikeDislikeForever seems like a long time though. I read over music contracts and even songs that a manager helped an artist produce was cut off from getting commission in perpetuity. Do you find that the manage SHOULD get the commissions forever on work they helped an actor get long after the actor and manager are no longer working togheter? because then the artist will conceivably be paying commission to the former manager and the new one they find.
It is a very long time. You seem to keep ignoring the fact that any new manager you work with will only be commissioned on projects HE/SHE gets you as well, not anything you’ve booked in the past. You’re not paying commissions on the same projects twice.
I have a question: my agency told me they are closing a deal with a production and they are asking 15% on what I get. However they are getting stuck with the producer because they ask 15% on my fee but also on a very small share of the film’s profits that the producer is offering.
The agency basically is imposing 15% on my fee but also on the dilm’s shares.
I wanted to understand if they can ask this, because if the producer does not accept this could potentially block the entire deal.
Thank you for making clear this issue.
Best
Sofia
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